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The East () - IMDb
Zal Batmanglij (Persian: ??? ??????????; born on April 28, ) is an American film director and screenwriter. He directed and co-wrote the film Sound of My Voice and the film The East, both of which premiered at the Sundance Film Festival, as well as the Netflix series The OA, which debuted in Batmanglij was born in in France to Iranian parents and grew up in Washington, D.C.. His mother, Najmieh Batmanglij, is a cookbook author; his father is a book publisher. His younger. �����������:�48 ���.� ����:�filmmaker ?????. Zal Batmanglij, Writer: The OA. Zal Batmanglij is a writer and director, known for The OA (), The East () and Sound of My Voice ().� Take a look ahead at all the major movie releases coming to theaters and streaming this season. See the list.

The OA is an American mystery drama streaming television series with science fiction , supernatural , and fantasy elements. Prairie now calls herself "The OA" and can see, despite having been blind before her disappearance. On February 8, , Netflix renewed the series for a second season, dubbed "Part II", that was released on March 22, Although The OA was planned by its creators to be a five-part story told in five seasons, [11] on August 5, , Netflix canceled the series after two seasons, leaving the show with a cliffhanger ending.

The series' directing, visuals and acting were often singled out, as was its social impact. The series centers around Prairie Johnson, an adopted young woman who resurfaces after having been missing for seven years. Upon her return, Prairie calls herself "The OA" for "Original Angel" , exhibits scars on her back, and can see, despite having been blind when she disappeared. The OA refuses to tell the FBI and her adoptive parents where she has been and how her eyesight was restored, and instead quickly assembles a team of five locals four high school students and a teacher to whom she reveals that information, also explaining her life story.

Finally, she asks for their help to save the other missing people whom she claims she can rescue by opening a portal to another dimension. The second season follows the OA as she traverses to another dimension and ends up in San Francisco to continue her search for her former captor Hap and her fellow captives. Prairie crosses paths with private eye Karim Washington and assists in his investigation of the surreal disappearance of a missing girl that involves an abandoned house with a supernatural history and an online puzzle game.

Meanwhile, in the original dimension, a series of unfortunate events propels the OA's five companions to embark on a road trip across America to assist the OA on her journey. The following actors appear in the series: [15] [16].

The series was conceived by Brit Marling and Zal Batmanglij and they began working on the concept in December When executives read the script of the first hour, they asked if the story "really [went] somewhere". Marling and Batmanglij then began to tell the story from beginning to end, [28] playing all the characters and acting out the big moments through many hours. The announcement revealed that Marling would star, Batmanglij would direct, and both would write and executive produce.

Rostam Batmanglij , Zal's brother, worked as one of the composers on the series, and he also wrote its theme music. Choreographer Ryan Heffington created The Movements, which are inspired by interpretive dance.

Heffington first professionally worked with them on The East , and had been an acquaintance of both from earlier than that.

The final chapter of Part I includes a dedication to Allison Wilke. Wilke, also known professionally as A. Gryphon, was a producer on the series who died of breast cancer three days after the series was finished and a month before its release. On August 5, , Netflix canceled the series after two seasons, [12] leaving the show with a cliffhanger ending.

Marling wrote that she and Batmanglij were "deeply sad" that they would not be able to finish the show. One fan went on a hunger strike outside Netflix's Los Angeles Headquarters to protest for the show's return; Marling and Batmanglij visited her and offered her food and water. Part I of The OA garnered a polarized but generally positive response from critics.

Reviewers made both favorable [6] [47] [48] [49] and unfavorable [50] [51] [52] comparisons to another Netflix Original, Stranger Things. In terms of substantive, original drama, it transcends it. Mind you, it is unclassifiable in the context of drama, mystery, science-fiction and fantasy, since it is straddling all sorts of lines and blurring them.

It is outright astounding and brilliant, too. I've never really had this kind of a relationship with a series while watching it, but it's that experience that makes it well worth viewing. Tristram Fane Saunders of The Daily Telegraph gave a mixed review of 3 out of 5 stars and noted the series' potential but criticized its similarity to fellow Netflix Original Stranger Things , claiming that the series was attempting to be "stranger than Stranger Things " but "on the basis of the first four episodes, the answer is a resounding no".

Saunders's review also highlighted the series' lack of originality and characterization, and derided the dialogue as "portentous [and] self-consciously literary". It also criticized the slow pace as "glacial". However, Saunders also acknowledged the series told an interesting and compelling story, writing that " The OA may be utter hokum, but you'll still be hooked. Fienberg added "the problem, of course, is that telling you what The OA is vaguely like is just another tease and telling you what it actually is is a recipe for disappointment, because after an enticing and somewhat infuriating build-up, The OA becomes something quite ludicrous as it stumbles toward a Zal Batmanglij Movies List climax that is, if I'm generous, merely unearned and if I'm not being generous, a series of offensive overreaches.

Variety published diverging opinions about the series: its TV critic at the time, Sonia Saraiya, gave the show a mixed-to-negative review that praised the direction and acting but opined that overall "it is hard to take The OA seriously", detailing that "none of it makes any sense", and concluded that "[a]s an exercise in vision, The OA is exciting.

Part II received very positive reviews upon its release. The website's critical consensus reads, " The OA 's second season provides satisfying answers to its predecessors' most maddening enigmas, all while maintaining the singular ambience that fans have come to crave.

Daniel Fienberg of The Hollywood Reporter wrote: "The only thing I'm sure of when it comes to The OA is that the process of watching and experiencing an episode is unlike the viewing of any other show on TV and, good or bad, there's value in that.

Club echoed that sentiment, saying "sacrificing your expectations of plausibility feels like a worthwhile price of admission. Ed Power of The Daily Telegraph , gave it 4 out of 5 stars, and wrote that the show "truly comes into its own when you stop attempting to piece together the storyline and instead submit to Marling and Batmanglij's vision. From Wikipedia, the free encyclopedia. American mystery drama streaming television series. This article is about the television series.

For the peninsula in Scotland, see The Oa. For other uses of the letters OA, see OA disambiguation. Mystery Drama Science fiction Supernatural Fantasy. Brit Marling Zal Batmanglij. Plan B Entertainment Anonymous Content.

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