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Best Bookshelf Speakers In - Top 10 Rated Reviews
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I longed for it to be poor since there were multiform areas I top 10 vintage bookshelf speakers model for to captivate. store with certainty. Not all robots have tip difficult as well as costly machines which usually the systematic might can set up.

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Hey Joe, you've been contemplating that Apogee for a while now. I cant believe some of the price I see on Agon too. They'll just take up my space though I think the Dude was talking about this newbie named Barney. Best wishes. Originally Posted by jrhymeammo. Not one entry from James B. Lansing is a joke. No late 70's Pioneer HPM stuff with giant voice coil, carbon cones, ribbon tweeters, except for the NS, all the other stuff is "east coast" sound stuff. Until, you buy them, and use them. Perhaps I'm missing something here.

Yes I know there are many quite decent speakers for less, but to get that hard to define elegance you need to spend near that amount or more not counting good electronics and cables to run the things. So as to what I'm missing why can't those same 5K and up speakers deliver kick ass bass?

Adding a grand per speaker to the expensive models almost gets lost in the pricing, worse a sub added to an exisiting cabinet should have some savings from reduced duplication of box, feet, connectors etc. My friend and I designed our own 3 way. Using a Scanspeak 10" woofer with an Fs of Like all speakers that deliver decent bass cabinet sizes go up, you can't get there from here with small boxes.

Those tiny subs with slope or servo correction and massive amps just don't seem to end up sounding very musical. My point is that good bass can be done especially at the 5K and up price points. One big problem pun intended is the size of the damn things. The biggest problem I hear and read all the time is that, if speakers can't play Classical music superbly, it's not considered audiophile speakers.

I'm not obsessed with that word "Audiophile" at all, but kinda shytty how designers focus alot on Classical and Acoustic music. First when I read the subject line to this post, said to myself this is a good post to read and clicked on it.

LOL Still a good [old and new] read though. Actually classical music is limited. A synthesizer covers more frequency response at limitless permutations of dynamics. So technically the best thing to illustrate technical perfomance would be a sysnthesizer and NOT classical music.

Having said that the real reason classical is used is because we have a known reference of what instruments sound like such as piano or vilin whereas we have far less with an electric guitar player running through an amplified set-up. So the classical music guros argue bogus condemnation of rock and pop and folk classical and often even Jazz. The bottom line is that no electrostat no matter how expensive sounds like a Horn loudspeaker at even more money.

What is better? The K-Horn has been selling for more than 40 years and no it's not perfect but yes it is very good -- the question is the three things that it does better by a MILE than any panel can offer up more important to you than three things that a good panel can do that the K-horn can't.

Which is why Quad and Klipsch are still selling. Page 1 of 2 1 2 Last Jump to page:. Similar Threads Best speakers for classical, flamenco, acoustic string guitar music?

By acqui in forum Speakers. Replies: 24 Last Post: , AM. Axiom-Is the hype to be believed? By HighFlyer in forum Speakers. Replies: 69 Last Post: , PM. Underpowering speakers? By gdew in forum Speakers. Replies: 23 Last Post: , AM. All times are GMT The time now is AM. All rights reserved.

Page 1 of 2 1 2 Last Jump to page: Results 1 to 25 of 42 Thread: Stereophile's list of "Best top 25 speakers of past 40 years". AR 3A loudspeaker: It may have been ugly, colored, and with rolled-off highs, but the sealed-box 3A defined the "Boston Sound" and helped establish the American speaker industry. I never liked it, but I can't ignore it. Yamaha NS loudspeaker Back in the days when paper cones were de rigueur though a handful of British engineers were playing with plastic cones and designers were starting down the path to trade off reduced coloration against the need for more and more driving volts from the amp, Yamaha introduced the NS It was sensitive, it used a high-tech midrange dome using vapor-deposited beryllium on an aluminum substrate, and it ahem kicked major booty!

The Yamaha's major use of technology made many contemporary European and American speaker-makers look more like box-stuffers. I haven't heard an NS in 20 years, and often wonder how it would measure up in today's more refined market.

The Advent Loudspeaker The late Henry Kloss had the Midas touch: whatever his fancy alighted on turned into sonic gold. In the case of the Advent Loudspeaker, he designed America's first true high-end dynamic sealed-box loudspeaker.

And given that everyone was convinced that good speakers needed to use three drive-units, Henry made do with two. Henry made do with talent and ingenuity. But outside the passband Spica TC50 loudspeaker John Bau's ugly ducking of a time-aligned two-way miniature showed that great sound could be produced from a speaker without the designer having to throw unlimited sums of money at the problems.

Shahinian Obelisk loudspeaker I first heard the quasi-omnidirectional Obelisk 25 years ago, and it sounded as different then from what else was around as it does now. Richard Shahinian has always gone his own way, guided by his overwhelming passion for classical orchestral music; his speakers fall into the category of "If you love their sound, they're the best speakers in the world for you.

KEF Reference loudspeaker Yes, the elegant R was the first high-end speaker to successfully implement a "bandpass" or "coupled-cavity" woofer, but its real importance lay in the fact that it finally rammed home the lesson that speaker design primarily involved engineering rather than art. Yes, art is still an essential part of designing a musically satisfying speaker, but only when that art rides on a platform of solid engineering. Apogee Scintilla loudspeaker It wasn't the first all-ribbon loudspeaker from Apogee, it wasn't the biggest, and it probably wasn't even the best-sounding that was probably the Duetta.

It was also a pig to drive, with perhaps just the big Krells up to the task of sinking power into what was, at some frequencies, little more than a short circuit. But the Scintilla was the Apogee speaker that convinced me that the magnetically driven ribbon, with its effortless coupling to the room and its lack of sonic character or coloration, was more than just a historic backwater of speaker design.

KLH 9 electrostatic loudspeaker An American classic at least two decades ahead of its time. I heard the 9 only once, but I still shiver at the memory. Meridian D digital active loudspeaker More recent Meridian loudspeakers exceed the D's performance in every way, but this modest floorstander was the first to show what could be achieved by integrating power amplification and digital technology in a speaker design.

Celestion SL loudspeaker The first popular compact supermonitor, introduced in The English company's Graham Bank and Gordon Hadaway decided that, as the main source of coloration in a box speaker is the box, they would effectively do away with it by making it from the Aerolam material used in airplane construction.

The copper-dome tweeter used in the SL and its wooden-box SL-6 sibling also pioneered the resurgence of interest in moving-coil drivers with pistonic metal diaphragms. But what a sound! Too bad its somewhat loose low frequencies were not the optimal match for typical mids LP playback, and that the CD came too late to save it from relative obscurity. Thiel CS3.

This is because the '3. While Jim Thiel has since designed speakers that exceed the CS3. All three were made in minuscule numbers, and all three are the finest-sounding true full-range loudspeakers I have heard. Magnepan Magneplanar Timpani loudspeaker Back in the late s, more Stereophile readers owned Magneplanar panels than any other loudspeaker. Jim Winey's twin ideas of using an array of ceramic refrigerator magnets and bonding a flat wire coil to a Mylar diaphragm allowed him to create a magnetic equivalent to an electrostatic speaker but without some of the latter's problems, and with additional benefits such as ease of drive and much higher power handling.

The current Magnepan designs may use a ribbon tweeter and be refined in all areas of performance, but are no different in concept from what Paul Bolin calls "a landmark in the dictionary sense of the word.

Typically, your choice between wired and wireless speakers is already made by whether or not your bookshelf speakers of choice are active or passive. You see, by virtue of how they are built and their lack of onboard tech, passive speakers do not offer wireless connectivity.

However, while the vast majority of active speakers of today feature integrated Bluetooth or WiFi, you should still check to make absolutely sure. Otherwise, you might have to plug your phone or hi-fi music player directly into your speakers, limiting their versatility. That being said, there are a lot of reasons this particular option might top your list.

For starters, the compact design was crafted specifically to work both vertically and horizontally � meaning you can stash it on your shelf or mount it to the wall and turn it into a shelf itself.

In fact, their LSX Wireless Music System has won several awards itself � including two product of the year awards and one for best all-in-one systems. If you want superb sound in a simple, handsome package, this KEF offering might just be your best bet. In fact, they make everything from bags to bicycles and even these Bluetooth Bookshelf Speakers. In fact, their minimalist shell hides quite a few surprising high-end features.

That includes Esotec tweeters and drivers, aluminum voice-coils, 65W digital amplifiers, and precision tuning. Aside from a beautiful design and a trio of available colorways, these speakers boast exceptional hi-fi internals, an innovative Isolation Base Suspension System to prevent vibrations from exiting the bottom of the speakers, P2P cabinet bracing to avoid unnecessary energy expulsion and increased levels of audio distortion, and they even come with specialized steel tripod stands though they work just as well on a shelf.

HiConsumption is reader-supported. This effectively translates into tall, thin speaker cabinets sporting weedy drive units and no personality. What vintage designs will give you, in contrast, is the big, the bold and the bizarre. Sound and innovation was the priority back then, not looks or interior design, and the sonically adventurous can have a fine time investigating older speakers.

While the speaker cabinet is usually fairly resilient, keep on eye out for slowly stiffening and crumbling drive units and the rubber surrounds, and punctured cones. Also, take a look at the connections and make sure that the wiring and soldering has not degraded or been disconnected. Prices will vary, of course, depending on a range of factors so the figures I provide here are merely a rough guide. I have not supplied a website source for each product because sourcing each will require a bit of detective work.

This is a selection of the varied speakers swimming around the market, so please add your favourites below in the comments section. Made in , some people described it as a the best speaker in the world, and others still do.

The price reflects the panel upgrades from a third party outfit, One Thing Audio. This is a classic stand-mounter from , designed and developed by the BBC for internal use.

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