Dictionary meaning of Architectonics 1. Architecture denoting, relating to, or having architectural qualities. Philosophy metaphysics of or relating to the systematic classification of knowledge. Introduction 0. Aim 0. Objective 0. Scope and limitation 0. Method of the study. Introducing the place 2. Conceptions and foundations of the place 2. Formal manifestation of the place 2. Centering of the place 2. Early Manifestations 2. Early settlements 2. Aspiration community 2. Auromodele community 2.
An insight into built manifestations until today. Individual scattered settlements 4. House in Pichandikulam forest 4. House in Adventure Forest High density Low rise 4. Yantra Community High density high rise 4.
Summing up 5. Passing the thread 5. Insight 5. End note Bibliography Illustration credits Acknowledgment Appendix. It is difficult to comprehend these meanings since the interactions are a result of varied relationships that can be understood by: man to the natural forces, man to another man, man to his community and man to the various intangible forces. All these external forces are fundamentally a context that informs Wooden Sketch Photo Model people, places and things.
An individual entity is never perceived in isolation, it is always seen as a part of a whole and these parts represent the whole. Neither the context nor the relationship an entity share with it is purely a physical, or purely a cultural or purely a psyche phenomenon, but is a manifestation of all three, where the physical consists of the terrestrial or geographical setting, the cultural of the societal relationships and values that exist and the psychic consists of the way of life, aspirations and the beliefs of individuals.
Habibi, Every meaning associated with man and his existence comes from his way of life, his contextual setting and the way in which he responds and orients himself. There is a desire to express and communicate these meanings non-verbally that can be seen through the act of building. Such meanings expressed in architecture give rise to its character. The geography, topography and climate set certain parameters for the manifestation of built form; the aspects of culture, ideologies, etc.
Thus, in order to understand the meaning of the built form, one has to look at its physical manifestation in totality with its physical and cultural context, since an individual constantly tries be in harmony with the physical and socio-cultural context and its accepted norms and at the same time expresses his personal values and aspirations.
Consequently, varied expressions are seen in built form under the same context, the degree of coherence in a place depends on the nature of collective values as well as the individuals.
This gives each place its own identity. A place and its built form have often been associated and correlated with merely its physical characteristics or location, through which the true spirit of the place is not completely understood.
This study aims at understanding Auroville as a Wooden Jack Plane Sketch Products place, as well as the forces that shaped it, through an inquiry into its built forms. Without getting influenced by these associations, the study aims to understand the place, purely through its built activities and forces that shaped it. To document differing responses of the built form with reference to the context.
To identify the forces that gave rise to or influenced the nature of the built environment over time. To identify the patterns or common values in the built form, that defines the place. Reasons for the same are mentioned in the study. The case studies and the examples in the study have been chosen as a generic representation of each category. The study inferences are basic indicators of the general pattern of its evolution and its existence.
These observations are qualitative in nature. Factors like spirituality, politics and economics are not part of the scope of this study. It leads on to discussing the main concepts with secondary sources, through which the study is conducted.
Next, Auroville as a place is then looked at with a view to understand its origins broadly through its physical characteristics and its conceptual and formal ideas. Firstly, a preliminary study is done of a few early built manifestations. Later, a brief insight is given into the built manifestations, from the earliest to the present day with the help of secondary sources.
This is done to understand the social, economic and cultural backdrop and concerns of the place. This now forms the basis for the study. Through this, the study arrives at important aspects and patterns are observed. Dwellings as a building typology is then taken up for the inquiry, which is broadly categorized into three parts according to the patterns observed. The reasons for these are stated as and when required.
Having done this, a few dwellings are chosen under each category, with other examples falling under the same category to have an idea of various approaches.
Each dwelling is studied through the broad structure arrived at in the main premise and with particularization of it, arrived at on the basis of the important aspects and patterns observed earlier. It is important to note here that at the end of each case study, one important aspect from each study is taken to introduce an example and to have a clearer idea of the mentioned categories.
Due to the nature of the thesis, stage-wise inferences are made throughout the study, which are linked together in the end. The intention is to come up with a narrative of the place in time, as a back and forth process of incidents and accommodations. Here the conceptual and formal intentions of the place are looked back at in relation to the physical manifestations observed in the study. These together give an idea of the nature of built-form and its change, with time as a part of understanding the place.
Spaces that are set apart for a particular purpose or that possess certain quality make a place, since these qualities convey meanings and significance. In other words the physical quality that a location conveys, that sets it apart, contributes in making a place. Our environment is a sequence of relationships and activities within it and cannot be imagined without a reference to locality.
When a place is rooted in its locality, it represents the various qualities possessed by the location. A distinctive form of space that emerges out of history, particularity, and everyday lived experience, place can be understood as fundamental in providing a locus of identity and sense of belonging among those who inhabit it Hubbard and Kitchin, The place does not have a specific geographical boundary, it can be a room in a house, a street, locality or a country with a quality.
For instance if we look at the street, it is a space which is defined by elements like the road, the street light, the divider, the buildings along the road and the edge conditions.
The character of these buildings and the activities, and people on the street become the quality of the space, which makes it a place, at the same time a city that has multiple number of spaces, but due to the character that it possess, it can be called a place. Places differ from one another in terms of their character, even the same place differs in character at different times, as it to some extent is a function of time.
It also changes with weather, people, cultures, etc. This character that a place possess gives it its identity and orients man in it.
Identity is a human construct in response to the place , it is not inherent to the place. The association is not any particular personal experience rather a general, universal or innate quality. When we think about a marketplace, our first association is with gatherings of people and hustle bustle around narrow streets having shops and stalls. It does not mean any space with this character can be called a market place, since the space with its certain unique elements will create this place.
The associative quality along with the spatial quality will here called a Market place. Man has created various meanings from these associations to comprehend the world around us. Our every act or thought is a associated with memories, established images and characters, which allow communication of the meaning.
For instance a sign-age and a symbol are established images that are communicated across the world without the need for explanation. Man constantly needs points of references to get a direction, scale, balance and time sense. References like landmarks, character and context, not only create a sense of place , but also help us orient and locate ourselves, since the world is experienced as a universe of qualities and meanings without which there would be lack of identity and understanding.
As mentioned earlier, the physical identity of a location, sets it apart as a place and its qualities become its association. It may be physical unity conveyed through topographical features, or on the other hand central reference points like monuments.
These monuments act as landmarks, the associations with these, as tools of orientation, though they do not possess the quality of the place as a whole. Various elements in nature are associated with certain qualities that lend character.
For instance, materials such as stones were associated with qualities of permanence corresponding to their quality of imperishability, vegetation is associated with calmness, water has been seen as a life giving element associated with sacredness.
The presence of these elements lend its associative character creating a unique identity for the place. In architecture too, there are aspects that generate expressions appropriate to the character or culture of the place.
Built form and its elements also borrow its characteristics from the place and also has the ability to create an identity of a place. These physical manifestations with the meanings attached with it become the tools of associations with the place. Man responds to the environment and expresses himself by the act of building, since his first response to the environment is by creating enclosure.
The forms were a mix of organic and geometric shapes with the set of materials and techniques allowed. Volume was singular and left untreated, exposing building materials and structure. The scale was proportionate to the nature of basic activities, leaving it in harmony with nature. With time the sense of enclosure became much more than a mere act of enclosing.
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