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I swear this is actually for your two year old. I am not just recommending it because of how ridiculously cute I think it is. It can go with you inside or outside for whatever adventure is calling. I just love the idea of reading books inside this teepee or letting their imagination run wild. This toy was a life saver for us with our 2nd boy. He was a toddler with way too much energy? It comes with a basketball made perfect for toddler hands, and the hoop can adjust as your kiddo grows.

I wish I would have had this for my kids! No list for toys for 2 year old boys would be complete without a bath toy! Little ones have a knack for getting dirty, so having some bath toys is essential to coax them into getting clean. This might be the best toy we have tried in as it makes bath time so much more fun with rambunctious 2 year olds. The octopus is BPA free for those kiddos who love to put everything in their mouth.

It lights up, plays music and can drive freely on land. As a bonus, it can also be used in the swimming pool. Made with bpa free, non-toxic materials, this fun, colorful playset comes with four boats that float. Each boat has safely enclosed magnets that attach to the next boat in line with numbers 1 2 3 and 4.

Have a little one who loves to be outside. We have some of the best toys for two year old boys who love to explore the great outdoors. Little ones love playing in the water and giving them an actual toy to do that with might just keep them out of your toilet and sinks.

There are tons of different little activities to do on this table. Plus, you can set it inside or outside depending on the weather! Look no further for the best toy for 2 year old boys!

Get them started early on the whole bike riding thing with this adorable trike. It will keep them balanced and safe in the comfy seat with a back. If you have some adventurous little tikes running through your household who love to explore little creatures then this is a great gift.

This outdoor bug kit lets your two year old go out on an exploration and find toy bugs or real ones. Everything in here truly works, the binoculars are adjustable and you will find the binoculars one of the most used parts of this toy. Our little guy loved using these on our hikes and discovering everything from colorful leaves to tiny insects. This present can be good for kids up to 6 years of age in our opinion.

There is just something about dump trucks that little ones love! Plus, this is a toy that will help with their fine motor skills development. All you need to do is find a sandbox! For those who want to get started on the whole bike thing but their two year old wants to be like the big kids, this is the perfect item for you. You know your daring little one might just try to lift his feet up. This one is a favorite among the two-year-old set, and with good reason!

Not only can your little guy pretend to help with outdoor chores, but he can get exercise and enjoy bubbles at the same time! Wow, this toy will bring back lots of memories! Start them early! Your 2 year old might not be ready for the golf course quite yet, but they will surely get a kick out of having their own little set.

It is cute and really easy to set up and clean up. Whether you are mom and dad, grandma, or just a good friend searching for the perfect gift for your little guy, he is sure to love this set! These little dinosaurs have wheels on their feet! How cool is that? Anyways, your little dude might want a laundry. Who knows?

Do you have a kid who likes to put things together just to take them apart and put them back together again? This little rocket will make that a piece of cake. This makes our best toy for 2 year old boy list because it is a fun way to help your little one learn to spell his name.

A great way to introduce letters and their sounds to your toddler is with their own name. You can order one of these puzzles to do just that! Bring it back to the basics. Your toddler will be entertained with these blocks long enough for you to get at least one thing done. My daughter and nephew both love this toy, and I love that they are enjoying learning.

You can check out our detailed review of the Fruit Fun Elephant here! Bring out the little artist in your child with this glowing doodle board. This is a great sensory toy that allows your child to really express themself. Our two year olds loved the whack a frog game, especially when two players get involved. The game comes with two hammers so the kids can try to knock as many frogs as possible. All little boys are different, obviously, but when it comes to my nephew he can never have too many cars.

He loves his carrier set because it is like having multiple toys in one. It lets him stack cars on top and inside, which allows for motor skill development and imaginative play. Toy Story is a timeless classic, but little ones today still love it!

This toy has the best of both worlds with building block elements and a train set. The Woody and Buzz figurines that come along with the set are perfect for pretend play! I remember my two year olds whipping up meals for me in their play kitchen frequently. I love that these tacos are so easy for little hands to make and that there are 43 pieces!

This toy is recommended for 3 and up, but as long as you are right there with them it should be fine for 2 year olds as well. It comes with 21 play-doh tools meaning you can create the whole shark family and 12 cans of play-doh. Role play is one of the best ways for kids to learn, and your little guy has surely seen you vacuuming the floors from time to time. It has a removable bag to make it seem even more real, plus a clicking button, knobs and wheels.

Check Out Current Prices Here! At age 2, your boy is getting more independent every day � so why not build his confidence with a plush friend to help him learn to dress himself? This Playskool Activity Doll teaches kids to zip, tie, button, buckle and more. It also comes with a handy attachment ring so it can be clipped to a stroller, carseat, backpack or gym bag.

Technically, this is a Montessori educational manipulative. The Skoolzy Pegboard comes with 38 pieces in different shapes and colors, plus a handy storage bag. The pegs are large enough that little fingers can easily handle them, but small enough to still provide tactile challenges.

This set can also be used for color or shape sorting, or to practice making patterns, meaning it can grow with your child. If so, this lunchbox playset is the perfect gift! It comes with a pretend assortment of classic lunchbox foods, and they are all made from natural wood and finished with non-toxic, water-based paints.

The arts they took with them were transformed, and new arts emerged under the stimulus of a different environment and through contact with native cultures; the notable folk arts of the Americas were one result.

In time, it was recognized that the great Asian civilizations, like those of Europe, also had two distinct forms of art�the elitist and the folk. As Asian folk art scholarship developed, the subject gained international footing.

While most scholars agree that a folk type of art has occurred at some time in many parts of the world and may yet appear in newly developing countries , there are various areas in which such art has so far been ignored or has not been studied as a separate category.

For instance, with the notable exception of Roman folk art, the folk distinction is not usually applied to the art of ancient civilizations nor to Islamic or Western medieval art. The summary provided here is, therefore, necessarily concentrated on the more studied areas: European folk art of the 17th�19th centuries, colonial and postcolonial folk arts, and the folk art of certain major Eastern countries.

In addition to the major folk regions, this article will deal with the categories, styles, content, and motifs of folk art. The extensive studies of European and American folk art over the past century have revealed certain patterns of folk art development.

Though these patterns are subject to revision as the field expands or is refined, they provide a basis on which cultural variations and less widespread or random occurrences may be considered. Typically, the people who created the art were immediately concerned with producing the necessities of life; as a result, the art is often described as predominantly functional or utilitarian, in spite of the fact that important categories are definitely not utilitarian, such as the widespread miniatures created simply for pleasure.

It is true, however, that much artistic effort was absorbed in meeting everyday requirements. In the folk group, in which occupations were often seasonal or dependent on weather and where people had to provide their own amusements, the creation of useful objects became also a leisure-time activity on which creativity was lavished; a shuttle might be transformed with carving or a chest with painted designs, and even the corset stay came to be an art form.

It differs from the study of sophisticated art, in which there is a long-standing distinction between fine and applied arts and a tendency to exclude, or at least segregate, the utilitarian from more strictly aesthetic forms. Folk art was not created for museums. In general, however, there was an indifference to permanence, so long as the function was served; and much of the art was expected to be either consumed or discarded after a celebrative appearance.

There is a substantial percentage of intentionally ephemeral folk art�the marriage bowl broken after the ceremony, paper objects burned at funerals, festival breads, carnival figures, graffiti, snowmen; temporary symbolic designs were drawn on the threshold on feast days in India, for example, and were formed of flower petals for religious processions in Italy.

Folk art collections, thus dependent at least in part upon the accidents of survival, must be supplemented by photographic and written documentation in order for a representative view of the whole art to be obtained. The element of retention prolonged survivals of tradition is considered fundamental in folk art, as it is in folklore. In an isolated situation, the sophisticated ideas that penetrate are generally belated and simplified, and there is a natural trend toward conservatism.

Both local and ancient traditions maintain a strong hold. Serviceable forms and familiar motifs are likely to persist, and changes are gradual in comparison to the sudden innovations possible in sophisticated art.

Yet a constant individuality and ingenuity affect the familiar mode, and an art uninhibited by arbitrary aesthetic rules takes many fresh directions.

Thus, the fluctuating combination of retained and inventive elements is of significant interest. The most easily distinguished characteristics of folk art as a whole relate to materials and techniques.

Most commonly used were the natural substances that came readily to hand; thus, various materials that have little or no place in sophisticated art, such as straw, may figure importantly in folk art.

Sophisticated media, such as oil painting , might be adopted if they could be manipulated, and manufactured products�notably paper, which was cheap and versatile�might be used where available. The unique forms evolved in these sophisticated media illustrate the way in which folk art draws upon the general culture in a limited way, while developing along original lines of its own.

Tools were usually few and often multipurpose: delicate Polish cut-paper designs were often executed with clumsy sheep shears; and in woodwork, chip carving with ax or hatchet and notch carving V-shaped cuts with a knife were widely used. Some arts were well within the compass of folk technology; textiles often rival the sophisticated handmade product in workmanship differences being a matter of styles and themes.

In many crafts, however, the folk artists evolved simpler methods of their own. Cut tin , in silhouette shapes or decorated by hand painting or pricking marking out a design with small punctures , for example, is a common folk medium, whereas full-round bronze sculpture was not likely to be attempted.

Large-scale figures often reveal special devices that were invented to overcome technical deficiencies; some are crudely assembled from parts; many maintain a simple overall shape with details merely incised; feet might be represented by pegs inserted into bored holes. In pictorial representation, the difficulties of three-dimensional modeling, while readily solved by some groups, frequently resulted in a preference for outline and flat shapes; for the easier, profile view; and for the evolution of such forms as the silhouette and the shadow picture, made by outlining and filling in the shadow of a head cast onto the wall or paper.

The limitations forced a mutation in forms. Folk art is by no means restricted to characteristic regional groups or rural arts. It occurs, for example, among minority groups bent on preserving their ethnic or religious traditions and their typical products. There are various folk manifestations within an urban environment, particularly in connection with the celebrative arts, which have a strong traditional hold; for example, at Christmas time in Warsaw , the people carry about the city models they have made of their cathedral.

Covered with salvaged coloured foil, the models incorporate a Nativity scene and are lighted by candles or, more recently, by small bulbs and batteries. While many folk artists are known by name and many specialized in a particular art form, the skills were mainly available to all with a distinction between the crafts of men and women , and most of the people were productive.

The originality that delights the collector was not emphasized by the people themselves, who were concerned with producing the best examples they could of the desired object decorated with the appropriate and traditional image.

Without consideration of the group involved and of the circumstances of folk culture in general, the art can scarcely be interpreted. Only a part of folk art falls into the recognized sophisticated categories of visual art, and even that part has its own adaptations. In architecture the focus is naturally on the basic dwelling and on a simple public or religious building. One of the oldest and most remarkable dwelling forms survives in the trullo of Puglia, in Italy.

A circular dry-stone structure with a tall conical roof, it is often decorated with symbolic designs splashed in white; for multiple rooms, the basic construction is simply repeated. The whitewashed stone architecture of the Greek islands , combining basic cubic forms with a variety of free shapes and inventive projections of balconies, overhangs, and exterior stairways, has been extensively studied and acclaimed by modern architects�as have the wooden churches of eastern Europe, with their delicate, needlelike wooden spires, and the wooden stave church es of Scandinavia.

Other unique forms are the Alpine house, with its steep, wide-eaved roof designed for snow; the cave dwellings of Spain, some with several rooms and a constructed exterior front; the adobe house; and the log cabin. In community building, the walled agricultural villages with radial pathways to surrounding fields, the fishing villages that are oriented to a harbour, and the American stockade cluster as well as the village common exemplify the close relationship of folk design to folk activities.

The idea of a picture to be hung on the wall is by no means universal in folk art. It occurs in Europe, notably as the ex-voto, or votive offering , hung in churches and chapels, and in America, where portraits and local scenes were executed in oil, pastel, or watercolour.

More typically, the painted depictions that occur in folk art are incorporated into other objects; for example, the American clock faces bearing local landscapes. Oil paints and prepared canvasses are sophisticated materials and, though sometimes available, were often replaced by house paint or chalk and by silk, linen, or cotton fabric.

Painting on velvet and underglass painting emerged as specific folk types. The amount of decorative painting on a particular object is often very extensive; among German and German-American groups, for example, every inch of a chest, bed, or chair surface might be covered.

Walls or beams were commonly decorated with geometric and floral motifs and occasionally with scenes, though the available space did not encourage anything approximating the sophisticated mural. Painting on exterior walls was a feature in some areas, including parts of North Africa and India as well as Europe.

Stencil painting, widely used for furniture and walls, illustrates the folk capacity for achieving varied effects within technical limitations. Some form of figural sculpture and a quantity of incised or relief decoration applied to a variety of objects appear to be almost universal among societies.

Work in wood was particularly widespread, though stone, a more difficult material, was also used, especially for gravestones and religious sculpture. The folk artist was often at his best in making small things, delighting in toys, small-scale representations of daily activities, and such oddities as ships carved inside bottles.

Miniature sculptures were often skillfully executed in elaborate groups displaying a cohesive harmony; in Russia , for example, an entire herd of cattle was mounted on a jointed trellis designed to provide a scissorlike movement to the whole.

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